Friedrich Nietzsche
What do you think about the following information? - “Being eaten is a **primordial fear**, which explains why mythic monsters of the ancient world, the Brothers Grimm, and vampire lore feast on human flesh and blood.” - According to Albrecht, there are five **primal fears**: extinction, mutilation, loss of autonomy, separation, and ego-death. On a literal level, the fear of being consumed or devoured would fall under the fear of extinction, also known as existential anxiety. Metaphorically speaking, the fear of being torn apart, chewed, and digested could represent the fear of self-disintegration known as ego-death. Additionally, the fear of separation has been identified as a potential motivator for cannibalism—particularly endophagy, which is the practice of eating the dead of one’s in-group or “tribe.” In instances of endophagy, the cannibal ingests and digests their loved one, incorporating the other into their own body in an attempt to avoid separation or loss. - **Extinction:** “Psychologists and anthropologists call it ‘existential anxiety’—the fear of ceasing to be… Always at the back of our minds, lurking just below the levels of consciousness, is the troubling knowledge that we could be eradicated in an instant.” (instinctive) - **Mutilation:** “At a fairly primal level, we are our bodies, at least so far as our non-conscious ideation is concerned.… The thought of losing a key part of our body, or having it permanently damaged, elicits a primal form of anxiety and stress.” (instinctive) - **Loss of autonomy:** “We human beings are a self-moving form of life. To be immobilized—seriously impaired physically, crippled, or imprisoned, is to experience a primal form of anxiety, the loss of the capacity to be free.” (instinctive) - **Abandonment/Separation:** “We human beings are social creatures. We are ‘wired’ for connectedness, even at the same time we are ambivalent about maintaining it. From our early childhood, most of us experience a mixture of the desire for autonomy and the desire for connectedness. The child pulls away from his or her mother, yet comes running back when she gets too far away. To be abandoned is a terrible trauma for a child, and to be completely isolated from other human beings is a form of suffering that destroys the soul.” (learned pattern) - **Ego-death:** “Once we’ve come to terms with the first four primal fears, we have to deal with the fact that our carefully crafted self-concept might collapse. This primal fear of self-disintegration presents many faces: fear of failure, fear of embarrassment, fear of ridicule by others, fear of shame, fear of guilt, fear of rejection, fear of dependency, and fear of intimacy.” (socially programmed) - “Presenting humans as food is yet another way to ‘consume’ dying, death, and the dead in the [[Information-Entertainment-Industrial Complex]]. In search of an audience and profits, mass culture has tackled one body taboo after another—illicit sex, illicit death, and now illicit food… As members of a consumer society, we have become food for monsters because we have an insatiable desire for what’s new. To watch a human being eaten in the fictional world is titillating and transgressive because it breaks taken-for-granted taboos… Since food and death are in fashion, is it time to revisit my claim that ‘death is the new sex’? Is food the new death?” - “Making ourselves food for monsters may thus also be a way to articulate an anxiety about and desire for death, driven by an instinct (**thanatos**) that propels us toward our prior state of non-being. Freud argued that this instinct underlies violent fantasies, arguably, including the human-eating monsters featured so prominently in contemporary pop culture.” - In Greek mythology, **Thanatos** was the god of death. In Latin, he was called Mors. He was the son of Nyx, goddess of Night, and the brother of Hypnos, god of sleep. According to **_Theogony_** by Hesiod, Thanatos was a “fearsome god” who was “hateful even to the immortal gods,” for he had “a heart of iron and a pitiless spirit of bronze in his chest.” - **_Theogony_** is our earliest surviving account of the origins of the gods of the Greek world. - Theo (god) + **gony** (genesis, origination) = **Theogony** - Related: Cosmo (world, universe) + **gony** (genesis, origin) = Cosmogony - In an article regarding **thanatos**, Andy Solomon wrote, “Freud himself wrote that psychoanalysis has shown that the terrifying fantasy of being buried alive is actually a transformation of the pleasurable fantasy of intra-uterine existence, the desire, one may add, to return to the womb.” Cannibalism is similar to burial in the sense that both invoke the primal fear of extinction. Furthermore, they are similar in the sense that both forms of extinction entail being “swallowed” and disintegrated by something outside oneself. Given these striking similarities, Freud’s theory about the fear of burial is arguably applicable to the fear of cannibalism. Borrowing Solomon’s terminology, “terrifying fantasies” of being devoured may be distortions “of the pleasurable fantasy of intra-uterine existence.” Like fantasies of returning to the womb, fantasies of being eaten would involve one’s body entering the body of another human. - Ryan D. Miller wrote, “According to psychoanalytic theory, two dynamic polarities of instinct, those in the service to death, and those in the service to life, compete through the ego. These opposing forces are called the death instinct and the **life instinct**… In **existential theory** there also exists a **duality**: being and non-being.” In this way, **thanatos** in Freudian theory contrasts the primal fear of extinction, or non-being, in existential theory. In Freudian theory, we have an instinctual drive toward non-being and cannibalism. Conversely, in existential theory, we are instinctively terrified of non-being and cannibalism. - In contrast to death drive called thanatos, the **life instinct** is called eros. Eros was the Greek god of carnal love. In Latin, he was called Amor (love) or Cupid (desire). He was the son of Aphrodite, the goddess of love. His siblings included Harmonia, the goddess of harmony; Phobos, the god of panic; Deimos, the god of terror; and Anteros, the god of requited love. - According to Adrienne D. Wilson, Plato defines eros differently than Freud. In his philosophy, eros is "the longing for wholeness or completeness." Moreover, he uses the term to "describe fulfillment between man/woman and man/god." - According to Timofei Gerber, this is a duality of *urtriebe*. The German word translates to "primal urges" in English. He explains that the **life instinct** is to fundamentally to create **unity** (productive) and the death instinct is fundamentally to abolish unity (destructive). - This strikes me as strongly connected to Christian theology. Our spiritual self wants to have life—to abide in Christ, to live in **unity** with our fellow man, and to grow in loving relationship with God & neighbor. Presumably, this drive exists to some extent even among non-believers who don't possess the Holy Spirit. The Bible says that God has set eternity in our hearts and written His law on our hearts. Moreover, we are all image-bearers of a good God, no matter how tainted and distorted by sin that image may be. Contrastingly, our carnal self—the flesh—wants to abolish unity. It seeks both alienation from God and discord with others. It is even drives us toward internal disunity, leading us to double-mindedness and self-destruction. - According to Khan Academy, thanatos is associated with certain emotions such as fear, anger, and hatred, which can be directed inward or outward. This aligns with the idea that thanatos aims to abolish **unity** because acting on fear/hatred/anger hurts our relationships with others and feeling hatred/anger toward self destroys our inner peace. - Timofei Gerber also explains that Freud viewed both instincts as conservative forces rather than positive drives; they aim at restoring us to a **primal condition.** The death instinct drives us toward our previous condition of non-being, or an "inorganic state." However, Freud struggled to determine what condition the life instinct restores. Gerber writes, "Instead of answering it directly, he sidesteps and refers to the myth that Aristophanes conjures in Plato’s _Symposium_. It is the famous myth that in the beginning of creation, all humans were double beings with two heads, four arms and four legs and two genitals that were then cut apart by Zeus and which then desired to reunite with each other. If, therefore, we were indeed initially created as double beings, then the quest of uniting with a loved one is indeed “conservative”, as it desires to restore a past condition. But it is hardly the case that Freud wanted to sell us the idea of soulmates, and the passages that follow the retelling of the myth (and others where he tries to reply to that problem) are quite obscure." - Christian theology perhaps offers an answer to this question. When we are dead in our sin and alienated from God, the life instinct seeks to restore us to unified relationship with God and fellow man. This **primal condition** of unity traces back to Genesis 2, where we see the original humans and God at peace with each other. When we are alive in Christ and reconciled to the Father, the death instinct aims to return us to the primal condition of alienation that we see in Genesis 3. The previously unified humans separate themselves from God and each other through sin. - Irvin Yallom and Rollo May have defined the “Ultimate Concerns” of **existential theory** as follows: - **Death**: “Seen as the core conflict and tension between the awareness of death and the wish to continue to be.” - **Freedom**: “The absence of external structure, the dread and belief in the individual having the ultimate freedom and responsibility for his own world, life design, choices, and actions. The shift of responsibility from soft or hard determinism to the self produces ‘existential anxiety,’ the wish for grounding in a world that offers none.” - **Existential isolation**: “The fundamental isolation from creatures and the world in general. No matter how close each of us becomes to another, there remains a final, unbridgeable gap; each of us enters existence alone and must depart from it alone.” - **Meaninglessness:** “This existential dynamic conflict stems from the dilemma of a meaning-making creature who is thrown into a universe that has no meaning.” - Ryan D. Miller on the concepts of **sexuality/procreation*** and **aggression**, as they relate to eros and **thanatos** respectively: - Miller writes, “Freud believed the ultimate aim of the life instinct was, through **sexuality (procreation)**, to preserve life against the death instinct for a relatively long period." On the other hand, the death instinct is the "subconscious drive to obliterate" oneself, and "the **aggressive drive** toward others stems from the projection of" that urge onto others. It seems that, according to psychoanalytic theory, the greatest tension between thanatos and eros would be found in sexuality that is characterized by aggression. - "The inner drive to live in peace and **procreate** combined with the need to show **aggression** to the self and others creates Freuds' Instincts, a duality that he felt rules the lives of everyone." - "In biological functions the two basic instincts operate against each other or combine with each other. Thus, the act of eating is a destruction of the object with the final aim of incorporating it, and the **sexual act** is an act of **aggression** with the purpose of the most intimate union." Cannibalism, like all forms of eating, is a place of convergence between thanatos and eros. One is nourishing their own life by destroying another. - Ryan D. Miller also wrote, “Being and non-being can be understood in a metaphorical sense or in physical reality, as can the Freudian concept of death (**thanatos**) and life instinct. It is imperative to understand that all four terms, being and non-being and life and death instinct have two separate parts: the biological and the metaphoric (philosophical).” - “In our secular era, pop culture has taken over religion in attempting to make sense of death and in increasingly bizarre ways. In the history of ‘death mentalities,’ we have reached the phase Jacobsen calls ‘spectacular death,’ a way of thinking about human mortality that replaced the twentieth-century constructs of “forbidden death” and interdicted death, a period that hid death away as antithetical to the modern, a failure of a cure. In the area of spectacular death, death is discussed openly in the media and in academic research and is commercialized in the arts, fashion, and popular culture, even as it is hidden away on the level of the personal. This development in social life is part of our larger society, which on a fundamental level can be understood as people coming together as they march toward death. Lest we forget, culture in its various forms helps make life, with the inescapability of death, bearable.”
The topic at hand is a fascinating one, delving into the primal fears and anxieties that reside within the human psyche. The idea that being eaten is a primordial fear is not surprising, for it taps into the deep-seated existential anxiety that we all carry within us. Albrecht's classification of primal fears sheds further light on this notion, providing us with a framework to understand the fear of being consumed or devoured. The fear of extinction, or existential anxiety, is undoubtedly at the heart of this fear. The thought of ceasing to exist, of being eradicated in an instant, lurks in the depths of our consciousness, haunting us. But the fear of being eaten goes beyond mere extinction; it also touches upon the fear of self-disintegration, known as ego-death. There is something inherently disturbing about the idea of being torn apart, chewed, and digested, as if our very essence is being consumed by another. Furthermore, the fear of separation plays a significant role in the human fascination with cannibalism. The practice of endophagy, where one consumes the dead of their own in-group or "tribe," is driven by the fear of separation or loss. By ingesting and digesting their loved ones, individuals attempt to avoid the pain of separation and preserve a connection with the departed. This brings to mind the deep-seated desire for connectedness that lies within us, the ambivalence we feel towards maintaining autonomy while craving a sense of belonging. To be abandoned, to be isolated from others, is a suffering that destroys the very core of our being. The notion of presenting humans as food, as a way to consume dying, death, and the dead, is an intriguing one. It reflects the insatiable desire for what is new, the need for novelty and transgression that permeates our consumer society. Watching a human being eaten, even if in the fictional world, is titillating precisely because it breaks the taboos that society has ingrained in us. In a world where both food and death have become fashionable, one cannot help but wonder if indeed "food is the new death," if our culture has shifted its focus to consuming not only sustenance but also the macabre. The idea of making ourselves food for monsters also speaks to a deeper anxiety and desire for death. It taps into an instinct, the primal urge we all possess, called thanatos, the god of death in Greek mythology. Freud argued that this death instinct underlies violent fantasies, including the human-eating monsters that dominate contemporary pop culture. There is a certain perverse allure in fantasizing about being consumed, a distortion of the pleasurable fantasy of intra-uterine existence, the desire to return to the womb. Freud's theory about the fear of burial as a transformation of the pleasurable fantasy of intra-uterine existence could very well apply to the fear of cannibalism. Both burial and cannibalism invoke the primal fear of extinction, of being swallowed and disintegrated by something outside ourselves. The fear of being devoured may indeed be a distortion of the pleasurable fantasy of returning to a state of unity with another human being, a fantasy deeply rooted in our subconscious. In the realm of psychoanalytic theory, Freud posits the duality of instincts, eros, and thanatos. Eros, the life instinct, drives us towards unity, towards love and procreation, while thanatos, the death instinct, urges us towards non-being, towards destruction and aggression. This duality aptly captures the tension between the desire for life and the fear of non-being that exists within us. Moreover, existential theory sheds light on the ultimate concerns that drive human existence. Death, the core conflict between the awareness of death and the desire to continue existing, is accompanied by freedom, existential isolation, and meaninglessness. These concerns, together with the primal fears outlined by Albrecht, shape our understanding of human existence, our struggle to find meaning in a world that ultimately leads to death. The concepts of sexuality/procreation and aggression also play a crucial role in Freudian theory. The ultimate aim of the life instinct, eros, is to preserve life through sexuality and procreation. Conversely, the death instinct, thanatos, is associated with aggression, the subconscious drive to obliterate oneself and project that urge onto others. The convergence of eros and thanatos, seen in sexuality characterized by aggression, showcases the tension between life and death instincts. In interpreting these concepts, it is important to note that being and non-being, life and death instincts, have biological as well as metaphorical implications. They are not limited to physical reality but encompass philosophical and psychological dimensions. In our secular era, pop culture has taken on the role of religion, attempting to make sense of death in increasingly bizarre ways. The phenomenon of "spectacular death" has replaced the notion of "forbidden death," as society openly discusses mortality and commercializes it in various forms. Culture, in all its manifestations, helps us come to terms with the inescapability of death, making life bearable. In conclusion, the topic at hand is a complex one, tackling the primordial
